Tascam FireOne Firewire Interfaces/Controllers Reviews

Posted under Computer Products by admin on Sunday 9 March 2008 at 3:28 pm

Pushing the limits of what an audio interface can be, TASCAM has launched the FireOne - a FireWire Audio Interface with shortcut keys and a weighted & illuminated jog wheel to inspire creative interaction with the artist’s music. The FireOne is the first stereo audio interface in its class that records two mic ins and two outs over FireWire at 96kHz/24-bit audio resolution The most unique feature of the unit is its large, weighted, backlit jog wheel, which allows musicians to zip through their song while the backlight provides useful feedback such as a visual metronome..

The FireOne features a pair of mic inputs with phantom power and pad switches. A front panel guitar input allows convenient direct recording of guitar or bass. MIDI input and output are also provided for 16 channels of MIDI. It’s the first FireWire interface in its class to record and play at up to 96kHz/24-bit resolution. It includes multitrack recording software, so you’ll be set to go right out of the box. In addition to its weighted & backlit jog wheel, the FireOne has transport keys and nine shortcut keys to control functions in most popular DAW applications.
The FireOne includes a copy of Live Lite 6 TASCAM Edition, the music creation, production and performance software from Ableton. Live’s drag and drop interface makes it easy to seamlessly move from basic song ideas, to studio production, to the stage.

Tascam FireOne Firewire Interface/Controller

Tascam DM-3200 Digital Mixers Review

Posted under Pro Audio by admin on Sunday 9 March 2008 at 1:29 pm

More channels. More inputs. The new TASCAM DM-3200 has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more.

The DM-3200 features 32 full-featured channels and 16 returns for a total of 48 channels at mixdown - even at its full 96kHz / 24-bit audio resolution. It has 4-band fully-parametric EQ and dynamics on every channel and two effects processors, each capible of running the built-in TC Works Reverb processor. Surround mixing is available with up to 6.1-channel panning, and the optional IF-SM/DM expansion card adds surround monitoring and downmixing to the DM-3200.

The DM-3200 provides a new way to record with DAW recording software. With the addition of an optional expansion card, the IF-FW/DM FireWire interface, the DM-3200 becomes a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording. Built-in HUI and Mackie Control emulation allows the console to function as a flexible control surface for workstation software. This gives you the best of both worlds - total control over your recording software transport and mixing capabilities with the cue mixing, talkback, microphone preamps and world-class automation provided by the DM-3200.

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“I don’t like having everything virtual. I’m constantly adding things like analog synths, a vocoder, this and that - I want a board to plug into. The specs of the TASCAM [DM-3200] made sense for what I was doing. It’s easy, the layout is good, it all seems simple and logical and ended up being a good marriage.”

- Danny Elfman, Composer

Production time (Emany on the Tascam DM-3200)